Basicly 15 track, 4 excellent, 4 very good and 3 ok plus 4 remix of the 4 excellent tracks making it well worth purchase. Such an excellent soulful range.
Here are some other products you might consider...
5 star |
|
(4) |
4 star |
|
(0) |
3 star |
|
(0) |
2 star |
|
(0) |
1 star |
|
(0) |
Basicly 15 track, 4 excellent, 4 very good and 3 ok plus 4 remix of the 4 excellent tracks making it well worth purchase. Such an excellent soulful range.
Paloma Faith returns with her third album ‘A Perfect Contradiction’.
‘A Perfect Contradiction’ marks a change in sound for Paloma, which has her working with a roster of legendary music icons, singer-songwriters and producers including Pharrell Williams, Diane Warren, Plan B and John Legend.
‘A Perfect Contradiction’ is the follow up to the UK double platinum top 2 album ‘Fall to Grace’ and her double platinum UK top 10 debut ‘Do You Want the Truth or Something Beautiful?’
Review:
British vocalist Paloma Faith's third studio album, 2014's A Perfect
Contradiction, is a slick, funky production featuring several big-name
songwriters, from Pharrell Williams to Raphael Saadiq. In the post-Amy Winehouse
world of soulful, ‘60s-centric, dance-oriented divas, Faith has always leaned
toward the artier end of the spectrum, setting her cherubic yet impossibly
robust vocals against her Frida Kahlo-meets-Dusty Springfield persona. Which
isn't to say that Faith's music is an acquired taste. On the contrary, her
previous efforts (2009's Do You Want the Truth or Something Beautiful? and
2012's Fall to Grace) found the London-born singer balancing an inclination
toward arch theatricality with her gift for belting out R&B hooks. On the
heels of Adele's success, and in sea of up-and-coming Springfield devotees,
Faith smartly moves away, if ever so slightly, from the neo-vintage, Mark
Ronson-esque production of her past albums and toward a more high-sheen, disco,
and '70's soul-influenced sound. Cuts like the Pharrell-produced “I Can't
Rely on You,” and the Saadiq-helmed “Mouth to Mouth,” are infectious,
booty-shaking numbers that wouldn't sound out of place booming out over the
speakers at Studio 54. Similarly, the cowbell-heavy “Take Me” is a
jubilant, Southern soul-influenced anthem that veritably drills itself into your
head as soon as the descending piano riff starts. That said, Faith has built her
career upon '50s- and '60s- influenced sounds and aesthetics, and A Perfect
Contradiction certainly has its share of neo-retro reappropriation in the Diane
Warren-penned “Only Love Can Hurt Like This” and the Stuart Matthewman
co-write “Taste My Own Tears,” which does sound a bit like
Matthewman's longtime boss Sade, if she had recorded at Motown in the
mid-’60s. Ultimately, it's Faith's irrepressible enthusiasm and unbridled
vocal ability that shine the most on A Perfect Contradiction, and having
musicians like Pharrell and Saadiq around just works to sweeten the
deal.
All Music Guide – Matt Collar
There are no Marketplace listings available for this product currently.
Already own it? Create a free listing and pay just 9% commission when it sells!