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While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess, she made a first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role immediately in San Francisco and at Glyndebourne. The thwarted Donna Elvira in Don Giovanni followed, again under Davis at Covent Garden, before Kiri took her Countess to the Met in New York in February 1976, and sang her first Fiordiligi in Paris, in a production by Jean-Pierre Ponnelle. The Paris Opera was also the location of Kiri’s debut as Pamina in Die Zauberflöte in 1977. her leap into superstardom, when she sang at the wedding of Prince Charles and Diana in July 1981. The previous month she had committed her Countess to disc in a classic recording for Decca under Georg Solti.
This collection brings together for the first time on disc, Dame Kiri’s complete Mozart recital discs for Decca (with György Fischer) and Philips (with Sir Colin Davis and Jeffrey Tate). Included too are two arias from her celebrated recording of Le nozze di Figaro with Sir Georg Solti, an aria from her sublime recording of Così fan tutte with James Levine (for Deutsche Grammophon) as well as sacred arias
| 1. | Zaide, KV 344: Ruhe sanft, mein holdes Leben |
| 2. | La finta giardiniera, KV 196: Crudeli fermante ... Ah dal pianto |
| 3. | La clemenza di Tito, KV 621: S’altro che lagrime |
| 4. | Così fan tutte, KV 588: Ei parte ... Senti ... Per pietà, ben mio, perdonna |
| 5. | Il re pastore, KV 208: L’amerö, sarö costante |
| 6. | Lucio Silla, KV 135: Pupille amate |
| 7. | Idomeneo, KV 366: Se il padre perdei |
| 8. | Die Zauberflöte, KV 620: Ach, ich fühl’s London Symphony Orchestra Sir Colin Davis |
| 9. | Mass in C minor, KV 427 'Great’: Et incarnatus est Academy of St. Martin in the Fields Sir Neville Marriner |
| 10. | Vesperae solennes de confessore, KV 339: Laudate Dominum John Constable, organ London Symphony Chorus & Orchestra Sir Colin Davis |
| 11. | Exsultate, jubilate, KV 165 John Constable, organ London Symphony Orchestra Sir Colin Davis |
| 1. | Porgi amor |
| 2. | E Susanna non vien ... Dove sono London Philharmonic Orchestra Sir Georg Solti |
| 3. | Der Schauspieldirektor, KV 486: Bester Jüngling Wiener Philharmoniker Sir John Pritchard |
| 4. | Così fan tutte, KV 588: Come scoglio Wiener Philharmoniker James Levine |
| 5. | Die Entführung aus dem Serail, KV 384: Welcher Wechsel herrscht in meiner Seele …Traurigkeit ward mir zum Lose |
| 6. | Mitridate, re di Ponto, KV 87: Lungi da te, mio bene Frank Lloyd, horn |
| 7. | Don Ottavio, son morta …Or sai chi l’onore Peter Bronder, tenor |
| 8. | Calmatevi, idol mio …Non mi dir |
| 9. | Die Entführung aus dem Serail, KV 384: Martern aller Arten English Chamber Orchestra Jeffrey Tate |
| 1. | Misera! dove son … Ah! non son’io che parlo, KV 369 |
| 2. | Ch’io mi scordi di te ... Non temer, amato bene, KV 505 Mitsuko Uchida, piano English Chamber Orchestra Jeffrey Tate |
| 3. | Ah, lo prevedi … Ah, t’invola agl’occhi miei, KV 272 |
| 4. | Vado, ma dove- Oh Dei!, KV 583 |
| 5. | Oh, temerario Arbace! ... Per quel Paterno amplesso, KV 79 (KV 73d) |
| 6. | Chi sa, chi sa, qual sia, KV 582 |
| 7. | Non più. Tutto ascoltai … Non temer, amato bene, KV 490 Rainer Küchl, violin |
| 8. | Bella mia fiamma, addio! ... Resta, oh cara, KV 528 |
| 9. | Nehmt meinen Dank, ihr holden Gönner!, KV 383 Wiener Kammerorchester György Fischer Kiri Te Kanawa, soprano |
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