Perhaps the main reason Anne Brontë's masterpiece is not as well known as her sisters' is that Charlotte suppressed any new editions after Anne's death, as the novel was deemed extremely shocking for its time. This is very unfortunate, as The Tenant of Wildfell Hall is much better than Anne's previous book, Agnes Grey, better even than Emily's Wuthering Heights, and nearly as good as Charlotte's Jane Eyre. Like Jane Eyre, The Tenant of Wildfell Hall considers the roles of reason and passion in life and concludes that both are necessary to achieve happiness. The real topic of Wildfell Hall is how to judge other people's characters, particularly in matters of love. This theme is brilliantly dramatized through a story about a woman who makes a youthful, but profound, error in whom she chooses to marry, and as her husband's vicious nature becomes increasingly clear, struggles to leave him---and how she herself is unfairly judged by her new neighbors when she manages to do so. Many people sharply contrast the romanticism of Wuthering Heights and Jane Eyre with the realism of Wildfell Hall, but this is a mistake---and, despite its more frank depictions of some of the social problems of its time (including alcoholism and domestic abuse), Anne rejected this dichotomy in the novel itself. Like Jane Eyre (and to a lesser extent Wuthering Heights), The Tenant of Wildfell Hall is an intellectual and emotional tour de force, and one of the greatest classics in all of world literature.