The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT065436With a half-title. A reissue of the 1758 edition printed by Benjamin Collins, with a cancel titlepage and with the "additional errata" overprinted on the final unnumbered page. A slip bearing a description of the statues in "two painted niches" is pasteLondon: printed for R. Baldwin; J. White; H. Woodfall, London; J. Leake and W. Frederic, at Bath; E. Easton and B. Collins, at Salisbury; and J. Fletcher, at Oxford, 1764. [8],107, [1]p., plate: port.; 8