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Art History

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Art History



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Art History: Bk. 2: Medieval Art by Marilyn Stokstad
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Art History Portable Edition by Marilyn Stokstad offers exactly the same content as Art History, Third Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods. Book 2: Art History: Medieval Art can be used for such courses as: *Jewish, Early Christian, and Byzantine Art*Islamic Art*Romanesque Art*Gothic Art of the Twelfth and Thirteenth Centuries*Fourteenth-Century Art on Europe Book 1: Art History: Ancient Art Book 2: Art History: Medieval Art Book 3: Art History: A View of the World, Part One: Asian, African, and Islamic Art and Art of the Americas Book 4: Art History: Fourteenth to Seventeenth Century Art Book 5: Art History: A View of the World, Part Two: Asian, African, and Oceanic Art and Art of the Americas Book 6: Art History: Eighteenth to Twenty-First Century

Table of Contents

7. JEWISH, EARLY CHRISTIAN,AND BYZANTINE ART 232 JEWS, CHRISTIANS, AND MUSLIMS 234 Early Jewish Art 234 Early Christian Art 238 IMPERIAL CHRISTIAN ARCHITECTURE AND ART 242 Architecture: The Church and Its Decoration 243 Architecture: Ravenna 247 Sculpture 250 EARLY BYZANTINE ART: THE FIRST GOLDEN AGE 254 The Golden Age of Justinian 254 Objects of Veneration and Devotion 263 Icons and Iconoclasm 266 MIDDLE BYZANTINE ART 267 Architecture and Mosaics 267 Objects and Veneration and Devotion 273 The Special Case of Sicily 274 LATE BYZANTINE ART 278 Constantinople 278 Moscow: The Third Rome 278 IN PERSPECTIVE 280 TIMELINE 281 BOXES THE OBJECT SPEAKS The Archangel Michael 276 ELEMENTS OF ARCHITECTURE Basilica-Plan and Central-Plan Churches 242 Pendentives and Squinches 257 Multiple-Dome Church Plans 275 ART AND ITS CONTEXT Early Forms of the Book 251 MYTH AND RELIGION Christian Symbols 238 Iconography of the Life of Jesus 252 8. ISLAMIC ART 282 ISLAM AND EARLY ISLAMIC SOCIETY 284 ART DURING THE EARLY CALIPHATES 285 Architecture 286 Calligraphy 292 Ceramics and Textiles 294 LATER ISLAMIC ART 294 Architecture 295 Portable Arts 300 Manuscripts and Painting 303 THE OTTOMAN EMPIRE 305 Architecture 305 Illuminated Manuscripts and Tugras 306 THE MODERN ERA 307 IN PERSPECTIVE 308 TIMELINE 309 BOXES THE OBJECT SPEAKS A Mamluk Glass Oil Lamp 296 ELEMENTS OF ARCHITECTURE Mosque Plan 289 Arches and Muqarnas 292 TECHNIQUE Carpet Making 303 ART AND ITS CONTEXT The Five Pillars of Islam 299 14. EARLY MEDIEVAL ART IN EUROPE 440 THE EARLY MIDDLE AGES 442 The Art of People Associated with the Roman Empire 443 The Art of People Outside the Roman Sphere of Influence 444 The Coming of Christianity to the British Isles 446 THE MUSLIM CHALLENGE IN SPAIN 449 Mozarabic Art 449 THE CAROLINGIAN EMPIRE 450 Carolingian Architecture 451 The Scriptorium and Illustrated Books 455 Carolingian Goldsmith Work 457 THE VIKING ERA 459 The Oseberg Ship 459 Picture Stones at Jelling 460 Timber Architecture 461 The End of the Viking Era 464 OTTONIAN EUROPE 464 Ottonian Architecture 464 Ottonian Sculpture 468 Illustrated Books 469 IN PERSPECTIVE 470 TIMELINE 471 BOXES THE OBJECT SPEAKS The Doors of Bishop Bernward 466 ART AND ITS CONTEXT Defining the Middle Ages 444 The Medieval Scriptorium 448 15. ROMANESQUE ART 472 EUROPEIN THE ROMANESQUE PERIOD 474 Political and Economic Life 474 The Church 475 Intellectual Life 476 ROMANESQUE ART 477 ARCHITECTURE 478 The Early Romanesque Style: The "First Romanesque" 479 The "Pilgrimage Church" 479 The Monastery of Cluny in Burgundy 482 The Cistercians 484 Regional Styles in Romanesque Architecture 485 Secular Architecture: Dover Castle, England 493 THE DECORATION OF BUILDINGS 494 Architectural Sculpture 495 Mosaics and Murals 499 THE CLOISTER CRAFTS 502 Portable Sculpture 502 Metalwork 506 Illustrated Books 507 IN PERSPECTIVE 510 TIMELINE 511 BOXES THE OBJECT SPEAKS The Bayeux Tapestry 504 ART AND ITS CONTEXT Saint Bernard and Theophilus: Opposing Views on the Art of Their Time 477 The Pilgrim's Journey 480 Relics and Reliquaries 484 The Role of Women in the Intellectual and Spiritual Life of the Twelfth Century 499 16. GOTHIC ART OF THE TWELFTH AND THIRTEENTH CENTURIES 512 THE EMERGENCE OF THE GOTHIC STYLE 514 The Rise of Urban Life 514 The Age of Cathedrals 514 Scholasticism and the Arts 514 GOTHIC ART IN FRANCE 515 Early Gothic Architecture 516 From Early to High Gothic: Chartres Cathedral 518 High Gothic: Amiens and Reims Cathedrals 528 High Gothic Sculpture 532 The Rayonnant Style 535 Illuminated Manuscripts 537 GOTHIC ART IN ENGLAND 538 Manuscript Illumination 539 Architecture 539 GOTHIC ART IN GERMANY AND THE HOLY ROMAN EMPIRE 541 Architecture 541 Sculpture 543 GOTHIC ART IN ITALY 547 Sculpture: The Pisano Family 547 Painting 549 IN PERSPECTIVE 550 TIMELINE 551 BOXES THEOBJECT SPEAKS The Church of St. Francis at Assisi 546 ELEMENTS OF ARCHITECTURE Rib Vaulting 521 The Gothic Church 522 TECHNIQUE Stained-Glass Windows 528 ART AND ITS CONTEXT Abbot Suger on the Value of Art 516 Master Builders 525 MYTH AND RELIGION The Mendicant Orders: Franciscans and Dominicans 524 17. FOURTEENTH-CENTURY ART IN EUROPE 552 EUROPEIN THE FOURTEENTH CENTURY 554 ITALY557 Florentine Architecture and Sculpture 557 Florentine Painting 559 Sienese Painting 567 FRANCE572 Manuscript Illumination 572 Sculpture 573 ENGLAND575 Embroidery: Opus Anglicanum 575 Architecture 576 THE HOLY ROMAN EMPIRE 578 The Supremacy of Prague 578 Mysticism and Suffering 580 IN PERSPECTIVE 582 TIMELINE 583 BOXES THE OBJECT SPEAKS The Triumph of Death 556 TECHNIQUE Cennino Cennini (c. 1370--1440) on Painting 564 Buon Fresco 569 ART AND ITS CONTEXT A New Spirit in Fourteenth-Century Literature 561 World Map WM1 Glossary G1 Bibliography B1 Credits C1 Index I1
Release date Australia
December 28th, 2007
Country of Publication
United States
3rd Revised edition
Prentice Hall
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