Art History Portable Edition by Marilyn Stokstad offers exactly the same content as Art History, Third Edition but in smaller individual booklets for maximum student portability. The combined six segment set consists of four booklets that correspond to major periods in Western art and two that cover global art. Each book is available individually, making them ideal for courses focused on individual periods. Book 4: Art History: Fourteenth to Seventeenth Century Art can be used for such courses as: *Fourteenth-Century Art in Europe*Fifteenth-Century Art in Northern Europe and the Iberian Peninsula*Renaissance Art in Fifteenth Century Italy*Sixteenth-Century Art in Italy*Sixteenth-Century Art in Northern Europe and the Iberian Peninsula*Baroque Art Book 1: Art History: Ancient Art Book 2: Art History: Medieval Art Book 3: Art History: A View of the World, Part One: Asian, African, and Islamic Art and Art of the Americas Book 4: Art History: Fourteenth to Seventeenth Century Art Book 5: Art History: A View of the World, Part Two: Asian, African, and Oceanic Art and Art of the Americas Book 6: Art History: Eighteenth to Twenty-First Century
Table of Contents
Use Notes v Starter Kit vi Introduction xii 17. FOURTEENTH-CENTURY ART IN EUROPE 552 EUROPEIN THE FOURTEENTH CENTURY 554 ITALY557 Florentine Architecture and Sculpture 557 Florentine Painting 559 Sienese Painting 567 FRANCE572 Manuscript Illumination 572 Sculpture 573 ENGLAND575 Embroidery: Opus Anglicanum 575 Architecture 576 THE HOLY ROMAN EMPIRE 578 The Supremacy of Prague 578 Mysticism and Suffering 580 IN PERSPECTIVE 582 TIMELINE 583 BOXES THE OBJECT SPEAKS The Triumph of Death 556 TECHNIQUE Cennino Cennini (c. 1370--1440) on Painting 564 Buon Fresco 569 ART AND ITS CONTEXT A New Spirit in Fourteenth-Century Literature 561 18. FIFTEENTH-CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA 584 HUMANISM AND THE NORTHERN RENAISSANCE 586 ART FOR THE FRENCH DUCAL COURTS 587 Painting and Sculpture for the Chartreuse de Champmol 588 Manuscript Illumination 590 The Fiber Arts 594 PAINTING IN FLANDERS 596 The Founders of the Flemish School 596 Painting at Midcentury: The Second Generation 604 EUROPE BEYOND FLANDERS 609 France 609 Spain and Portugal 611 Germany and Switzerland 613 THE GRAPHIC ARTS 614 Single Sheets 614 Printed Books 615 IN PERSPECTIVE 616 TIMELINE 617 BOXES THE OBJECT SPEAKS Hans Memling's Saint Ursula Reliquary 608 TECHNIQUE Woodcuts and Engraving on Metal 615 ART AND ITS CONTEXT Altars and Altarpieces 591 Women Artists in the Late Middle Ages and the Renaissance 592 19. RENAISSANCE ART IN FIFTEENTH-CENTURY ITALY 618 HUMANISM AND THE ITALIAN RENAISSANCE 620 FLORENCE621 Architecture 623 Sculpture 628 Painting 634 Mural Painting in Florence after Masaccio 638 ITALIAN ART IN THE SECOND HALF OF THE FIFTEENTH CENTURY 640 Urbino 640 Mantua 644 Rome 647 The Later Fifteenth Century in Florence 648 Venice 653 IN PERSPECTIVE 655 TIMELINE 657 BOXES THE OBJECT SPEAKS The Foundling Hospital 626 TECHNIQUE Brunelleschi, Alberti, and Renaissance Perspective 622 Ceramics 634 ART AND ITS CONTEXT The Printed Book 652 20. SIXTEENTH-CENTURY ART IN ITALY 658 EUROPEIN THE SIXTEENTH CENTURY 660 ITALYIN THE EARLY SIXTEENTH CENTURY: THE HIGH RENAISSANCE 662 Three Great Artists of the Early Sixteenth Century 662 Architecture in Rome and the Vatican 677 Architecture and Painting in Northern Italy 680 Venice and the Veneto 682 ART AND THE COUNTER-REFORMATION 687 Art and Architecture in Rome and the Vatican 688 MANNERISM 692 Painting 693 Manuscripts and Miniatures 696 Late Mannerism 698 LATER SIXTEENTH-CENTURY ART IN VENICE AND THE VENETO699 Oil Painting 699 Architecture: Palladio 703 IN PERSPECTIVE 704 TIMELINE 705 BOXES THE OBJECT SPEAKS Veronese Is Called Before the Inquisition 700 ELEMENTS OF ARCHITECTURE The Grotto 677 Saint Peter's Basilica 679 ART AND ITS CONTEXT Women Patrons of the Arts 688 DEFINING ART The Vitruvian Man 665 21. SIXTEENTH-CENTURY ART IN NORTHERN EUROPE AND THE IBERIAN PENINSULA 706 THE REFORMATION AND THE ARTS 708 EARLY SIXTEENTH-CENTURY ART IN GERMANY 709 Sculpture 709 Painting 711 RENAISSANCE ART IN FRANCE 720 The Introduction of Italian Art 720 Art in the Capital 722 RENAISSANCE ART IN SPAIN AND PORTUGAL 725 Architecture 725 Painting 725 RENAISSANCE PAINTING IN THE NETHERLANDS 728 Art for Aristocratic and Noble Patrons 728 Antwerp 731 RENAISSANCE ART IN ENGLAND 734 Artists in the Tudor Court 735 Architecture 738 IN PERSPECTIVE 740 TIMELINE 741 BOXES THE OBJECT SPEAKS Sculpture for the Knights of Christ at Tomar 724 MATERIALS AND TECHNIQUES German Metalwork: A Collaborative Venture 714 ART AND ITS CONTEXT Chenonceau: The Castle of the Ladies 722 Armor for Royal Games 737 22. BAROQUE ART 742 THE BAROQUE PERIOD 744 ITALY745 Architecture and Sculpture in Rome 745 Painting 754 THE HABSBURG LANDS 764 Painting in Spain's Golden Age 764 Architecture in Spain and Austria 770 FLANDERS AND THE NETHERLANDS 772 Flanders 774 The Dutch Republic 779 FRANCE793 Architecture and Its Decoration at Versailles 793 Painting 797 ENGLAND801 Architecture and Landscape Design 801 English Colonies in North America 805 IN PERSPECTIVE 806 TIMELINE 807 BOXES THE OBJECT SPEAKS Brueghel and Rubens's Allegory of Sight 780 ELEMENTS OF ARCHITECTURE French Baroque Garden Design 796 DEFINING ART Grading the Old Masters 799 SCIENCE AND TECHNOLOGY Science and the Changing Worldview 746 Glossary G1 Bibliography B1 Credits C1 Index I1
