Recorded at Van Gelder Studio in Hackensack, New Jersey, John Coltrane's Blue Train is a hard bob jazz album released on Blue Note in 1957. Certified Gold, Blue Train is Coltrane's second solo album and the only one he recorded for Blue Note as a leader although he was never formally signed to the label. Featured on the album are Coltrane on tenor sax with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass and Philly Joe Jones on drums. Blue Train will be reissued on vinyl as part of an overall Blue Note 75th anniversary vinyl reissue campaign spearheaded by current Blue Note Records President, Don Was.
Review:
Although never formally signed, an oral agreement between John Coltrane
and Blue Note Records founder Alfred Lion was indeed honored on Blue Train –
Coltrane's only collection of sides as a principal artist for the venerable
label. The disc is packed solid with sonic evidence of Coltrane's innate
leadership abilities. He not only addresses the tunes at hand, but also
simultaneously reinvents himself as a multifaceted interpreter of both hard bop
as well as sensitive balladry – touching upon all forms in between. The
personnel on Blue Train is arguably as impressive as what they're playing.
Joining Coltrane (tenor sax) are Lee Morgan (trumpet), Curtis Fuller (trombone),
Kenny Drew (piano), Paul Chambers (bass), and Philly Joe Jones (drums). The
triple horn arrangements incorporate an additional sonic density that remains a
trademark unique to both this band and album. Of particular note is
Fuller's even-toned trombone, which bops throughout the title track as well as
the frenetic “Moments Notice.” Other solos include Paul Chambers' subtly
understated riffs on “Blue Train” as well as the high energy and impact from
contributions by Lee Morgan and Kenny Drew during “Locomotion.” The track
likewise features some brief but vital contributions from Philly Joe Jones –
whose efforts throughout the record stand among his personal best. Of the five
sides that comprise the original Blue Train, the Jerome Kern/Johnny Mercer
ballad “I'm Old Fashioned” is the only standard; in terms of unadulterated
sentiment, this version is arguably untouchable. Fuller's rich tones and
Drew's tastefully executed solos cleanly wrap around Jones' steadily languid
rhythms. Without reservation, Blue Train can easily be considered in and among
the most important and influential entries not only of John Coltrane's career,
but of the entire genre of jazz music as well.
All Music Guide – Lindsay Planer