There were once more than a thousand men and boys worked at Brandon Pithouse in County Durham. Today the site of the colliery is a green wilderness. John Seed has set out to recover the lost and silent world of Durham pitmen – in the company of Walter Benjamin, Sid Chaplin and Charles Reznikoff. Composed of fragments of recorded speech, parliamentary reports and newspapers, Brandon Pithouse is a book about the experience of labour – about the pain and danger of working underground, about the damage to the human body and about the human relationships created in such conditions. It is a study in the attachments and distances which shape our relationships to place and time, the negotiations required to reconnect ourselves to a world that ceased to exist in the 1990s. It is a set of notes for an unmade Eisenstein film and a footnote to chapter 10 of the first volume of Marx’s Capital. And like any history, it is a ghost story.