Deaccessioning Today: Theory and Practice is a comprehensive international overview of deaccessioning. Author Steven Miller covers reasons for removing items from collections, looks at how and why deaccessioning occurs in museums around the world, and discusses recommended disposition procedures.
Collections make museums unique. Getting and keeping physical evidence of the human and natural world, and doing so for the long term, is not done by any other organizations, entities, agencies, etc. This characteristic is essential to accept and understand regardless of a museum’s operations. It is especially important when considering what to subtract from collections.
Features include:
·In-depth coverage of reasons for deaccessioning including ownership disputes, untenable conservation, redundancy, fakes and forgeries, source of income, safety reasons;
·Processes for both museum-initiated and externally-initiated deaccessions;
·Disposition options including sale, gift, exchange, demotion, destruction, and return;
·Controversies surrounding deaccessions;
Deaccessioning Today is for museum professionals, those who are responsible for museums (such as trustees, volunteers, elected officials, and donors), as well as the general public with an interest in how museums operate and why.
Author Biography:
Steven Miller has devoted nearly fifty years to museum service. He has been a curator, mid-level administrator, director, educator, trustee, writer, and consultant. His career began with the Museum of the City of New York in its curatorial department for paintings, prints and photographs. He concluded that job as senior curator. He was then the assistant director of the Mains State Museum, director of museums at the Western Reserve Historical Society, Cleveland, OH, executive director of the Bennington Museum, Bennington, VT, executive director of the Morris Museum, Morristown, NJ and executive director of Boscobel Restoration, Garrison, NY. Miller has written, lectured, consulted, and been closely involved in deaccessioning matters since the practice started receiving widespread attention in the mid-1970s. His academic accolades include B.A., Bard College, Sculpture, Annandale-on-Hudson, NY International Graduate Certificate, Principles of Conservation Science, (UNESCO) International Centre for the Study of the Preservation and Restoration of Cultural Property, Rome, Italy.
