Dublin, 1880. Cameras are becoming cheaper and the country is flourishing
with photographic studios. However, the practice of memorial portraiture –
the portrait photography of the
recently deceased – is on the wane.
“This macabre aspect of the drama is accentuated and razzled with a tone of grim and ironic humor that is, at times, screamingly funny. Clever, visually sumptuous and indescribably unique.” - Globe and Mail
“Michael Smiley is a hoot as pompous photographer Brock Blennerhasset, and so is Aidan O'Hare as the detective whose investigations look sure to make Blennerhasset's life a misery.” - Sydney Morning Herald