Evelyn Ida Morris is a gifted musician, celebrated for their dexterity across multiple instruments and for songwriting that is complex and structurally adventurous.
This self-titled album represents a significant departure from the looping pop of Pikelet, for which Evelyn is best known. It builds on the structural complexity of that project, but focuses wholly on piano – huge, wild, racing, dexterous piano.
These new works are lush, post-classical compositions, frequently referencing Debussy and Ravel. Thematically, they deal with the experience of being non-binary and making sense of that experience.
Evelyn uses they/them pronouns and does not identify as female or male.
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