Kafka's features, and that dreaded word, Kafkaesque, are known to millions who have never read serious literature. Generations of academics and critics have maintained the image of Franz Kafka as a tortured seer whose works defy interpretation. In Excavating Kafka James Hawes reveals the truth that lies beneath the image of a middle-European Nostradamus with a typographically irresistible name. The real Franz Kafka was no angst-ridden paranoid but a well-groomed young man-about-town who frequented brothels, had regular sex with a penniless-but-pretty girl and subscribed to upmarket pornography (published by the very man who published Kafka's first stories). Excavating Kafka debunks a number of key facets of the Kafka-Myth, including the idea that Kafka was the archetypal genius neglected in his lifetime; that he was stuck in a dead-end job and struggling to find time to write; that he was tormented by fear of sex; that he had a uniquely terrible, domineering father who had no understanding of his son's needs; that his literature is mysterious and opaque; that he constructs fantasy-worlds in which innocent everymen live in fear of mysterious and totalitarian powers-that-be.
Written with the panache of a supremely gifted comic writer, Excavating Kafka is an engaging and involving reassessment of a major figure of literary modernism that will be welcomed and enjoyed by students of Kafka and by general readers alike.
As an Oxford undergraduate James Hawes saw and handled the original manuscript of The Castle. After taking a PhD on Nietzsche and Kafka, he held university lecture-ships at Maynooth, Sheffield and Swansea. He is the author of five novels, including A White Merc with Fins and White Powder, Green Light. His most recent novel, Speak For England (2005), was widely and enthusiastically reviewed. The BBC has commissioned Andrew Davies to re-work the novel for TV.