Hamlet is probably the most famous play in the world. Distinguished critic, J. C. Trewin, went to it for the first time in 1922 when he was fourteen, and, thereafter, professionally, as drama critic successively of the Observer, Punch, and the Illustrated London News, he saw it repeatedly through sixty years of theatrical history. In this most unusual book of theatrical criticism he discusses all the leading Hamlets, including John Barrymore, John Gielgud, Maurice Evans, Michael Redgrave, Laurence Olivier. He reflects on how the play has sounded through its many productions, how the critics reacted, what were the backstage arguments and the changing mores of theatrical life. Trewin's criticism is not only judicious. It is impassioned.
Author Biography
J.C.Trewin was a British journalist, drama critic and theatrical historian. His parents were Cornish, but he was born in Plymouth in 1908 and brought up in Cornwall. Educated at Plymouth College, his first job was as a cub reporter on the city's Sunday newspaper, the Western Independent, in 1926. After six years he left for London and joined the Morning Post as a reporter and drama critic. On the paper's closure in 1937 he moved to The Observer, doubling as a drama critic and later as literary editor. From the early 1950s he concentrated on the theatre, working for a number of publications including Punch, the Listener, the Birmingham Post, the Illustrated London News and The Lady. He wrote some forty books of theatre history and was appointed Officer of the Order of the British Empire (OBE) in 1981. He died in 1990. He is memorialised by the British Critics' Circle in an award that bears his name (and that of his wife, Wendy) for the best Shakespearean performance of the year.