Additional personnel: Eric Weissberg (steel guitar); Jimmy Macdonell (accordion); Lenny Pickett (saxophone); Andrew "El Pantalones" Cader (washboard); Steve Scales, Nana Vasconcelos (percussion); Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves, Kurt Yahijian (background vocals).
Recorded at Sigma Sound, New York, New York.
After the abstract funk experimentation of REMAIN IN LIGHT and SPEAKING IN TONGUES, the Heads decided to return to their roots with LITTLE CREATURES. They abandoned the modal, polyrhythmic approach in favor of the two-guitars/4/4 pop structures of yore. While LITTLE CREATURES is the band's most accessible, radio-friendly album, it's not a step backwards by any means, because as they return to the quirky "new wave" style that made them famous, they bring a well-earned sophistication (both harmonic and lyrical) to the table. These advances allow the band to knock out a crop of winners, like the anti-anthem "Road To Nowhere," the semi-mystical (but still damn catchy) "And She Was" and the we've-got-a-baby-now, let's-party-with-him rocker "Stay Up Late." Nothing here is as groundbreaking as BUILDINGS AND FOOD, but it's still the Talking Heads, full of idiosyncratic charm and smart-but-infectious tunes.
What the critics say...
CMJ (1/5/04, p.16) - Ranked #5 in CMJ's "Top 20 Most-Played Albums of 1985"
- And She Was
- Give Me Back My Name
- Creatures Of Love
- Lady Don't Mind, The
- Perfect World
- Stay Up Late
- Walk It Down
- Television Man
- Road To Nowhere
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