Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable 'girlfriend' and petty humiliation at the hands of Professor Welch.
Lucky Jim is one of the most famous and influential of all British post-War novels.
Author Biography
Kingsley Amis was born in south London in 1922 and was educated at the City of London School and St John's College, Oxford. At one time he was a university lecturer, a keen reader of science fiction and a jazz enthusiast. After the publication of Lucky Jim in 1954, which has become a modern classic, Kingsley Amis wrote over twenty novels, including The Alteration (1976), winner of the John W. Campbell Memorial Award, The Old Devils (1986), winner of the Booker Prize, and The Biographer's Moustache (1995), which was to be his last book. He published a variety of other work, including a survey of science fiction entitled New Maps of Hell (1960); Rudyard Kipling and His World (1975); The Golden Age of Science Fiction (1981); Collected Poems (1979); and his Memoirs (1991). He wrote ephemerally on politics, education, language, films, television, restaurants and drink. Many of his books are published by Penguin. In 1995 Eric Jacobs published Kingsley Amis, a biography of the distinguished writer, on which Amis himself collaborated. Kingsley Amis was awarded the CBE in 1981 and received a knighthood in 1990. After his death in October 1995, Keith Waterhouse described him as 'a great storyteller, although he was much more than a storyteller,' while John Mortimer wrote- 'He was a genuine comic writer, probably the best after P. G. Wodehouse ... He had a lasting in