Personnel: Bruce Springsteen (vocals, guitars, harmonica, pump organ, synthesizer, glockenspiel, percussion, background vocals); Stevie Van Zandt (guitars, mandolin, background vocals); Nils Lofgren (guitars, background vocals); Clarence Clemons (saxophone, background vocals); Roy Bittan (piano, organ); Danny Federici (organ, keyboards); Garry Tallent (bass guitar); Max Weinberg (drums); Patti Scialfa (background vocals).

Additional personnel: William Pu, Jay Christy, Sheela Lyengar, Kenn Wagner, Justin Bruns, Olga Shpitko, Soozie Tyrell, John Meisner, Christopher Pulgram (violin); Amy Chang, Tania Maxwell Clements, Lachlan McBane (viola); Karen Freer, Charae Kruege, Daniel Laufer (cello); Patrick Warren (tack piano, chamberlin); Jeremy Chatzky (upright bass).

Following up two folk-flavored albums, MAGIC finds Bruce Springsteen laying down his acoustic guitar to reclaim his rock-hero crown. He's assisted in this endeavor by producer Brendan O'Brien, best-known for big-time '90s hard rock, but the results have little in common with O'Brien's grungy past. Instead, MAGIC's sonic blueprint is more in line with Bruce's last stadium-rock statement, 2002's THE RISING. The album is front-loaded with hard-charging, heavy-riffing tunes ("Radio Nowhere," "You'll Be Comin' Down") that benefit from the sure-fire attack of the E Street Band. In fact, "Livin' in the Future" harks back to the band's vintage '70s work.

MAGIC isn't all back-to-basics rockers, though; evocative ballads that employ atmospheric string arrangements indicate that Springsteen is content neither with standing still nor with looking backwards. One of the most rewarding aspects of the album is the fact that after the relative tunelessness of 2005's DEVILS & DUST, Bruce seemingly learned from the folk gems he covered on his Pete Seeger homage a year later, and started writing arresting melodies again. Any way you look at it, those who may have been put off by Springsteen's previous stylistic diversions will have a welcome feeling for MAGIC.