Carrigan approaches the millennium New Year craving climax and culmination. What he finds instead is constant anti-climax, and lack of definitional consequence for his failures and failings and genius. A conceptual heir to Fitzgerald's This Side of Paradise, this novel explores everything from Carrigan's past in the spelling bee as a contemptuous 12-year-old, to his father's death in Ireland years before, to the depth of mystery, violence, and secrecy that he returns to, both existentially, and literally, as he becomes 21, and then 22, without proper fanfare or notice.
Author Biography
Joseph Matthew Reynolds did his graduate work in Creative Fiction under the tutelage of acclaimed novelist and memoirist Da Chen. He teaches college in New England, and at Trinity College Dublin in Ireland during the summer term. As an undergraduate, he was a speechwriter and intern in the U.S. Senate office of the late Senator Edward M. Kennedy. Anna Faktorovich is the Director and Founder of the Anaphora Literary Press. She is currently teaching college English at the University of Texas Rio Grande Valley. Previously, she taught for three years at the Edinboro University of Pennsylvania and the Middle Georgia State College. She has a Ph.D. in English Literature and Criticism. She published two academic books with McFarland: Rebellion as Genre in the Novels of Scott, Dickens and Stevenson (2013) and The Formulas of Popular Fiction: Elements of Fantasy, Science Fiction, Romance, Religious and Mystery Novels (2014). She published two poetry collections Improvisational Arguments (Fomite Press, 2011) and Battle for Athens (Anaphora, 2012). She also released two historical novels: The Romances of George Sand (2014), and The Battle for Democracy (2016). She published two fantasy novellas with Grim's Labyrinth Publishing: The Great Love of Queen Margaret, the Vampire (2014) and The Campaigns against the Olden: Kingdoms of Laruta (2014). She also wrote and illustrated a children's book, The Sloths and I (Anaphora, 2013). She has been editing and writing for the independent, tri-annual Pennsylvania Literary Journal since 2009, and started the second Anaphora periodical, Cinematic Codes Review in 2016. She has presented her research at the MLA, SAMLA, EAPSU, SWWC, BWWC and many other conferences. She won the MLA Bibliography, Kentucky Historical Society and Brown University Military Collection fellowships.
