Avrom Fleishman explores the distinctive literary techniques often used by film-makers to tell their stories. Through close viewings of ingeniously paired films, Fleishman documents five narrational practices in the cinema: voice-over (Orpheus and Sunset Boulevard); dramatized narration, in which the film is a story that one character tells another (The Cabinet of Dr. Caligari and Hiroshima Mon Amour); multiple narration, in which a number of characters tell the story that is the film (Rashomon and Zelig); written narration, whether through diaries or letters (Letter from an Unknown Woman and Diary of a Country Priest); and the cinematic version of interior monologue, which Fleishman terms mindscreen narration (Brief Encounter and Daybreak).