Petra White's poetry is distinctive for its sharp and unusual imagery, its authoritative expressions of the inner life and its existential preparedness and irony. Mythic imagination and narrative are at the heart of this book, her fourth collection. The ancient Book of Ezekiel is the unlikely source for a compact epic, "How the Temple was Built". Playful in its invention, this poem is terrifying and poignant. The Bible account is reinvented through a secular lens, touching on familiar concerns: war, displacement and feminism. The old epic tropes - love, death, faith, despair - drive this story. White's myth-making here explores the limits of being human and the limits of being a god. The second section, "Landscapes" is thirteen sketches of human solitariness, featuring ancient mythic figures and anonymous modern ones. Unobtrusively presented landscapes, at times hyper-real, or shading to dream, interpolate the characters. These incursions into psyche are fluid and metamorphic. Each singular poem crackles with impulse, marking iconic stillness and strange beauty. Reading for a Quiet Morning, which also includes several spirited versions of Rilke, is Petra White's most daring collection to date.