This comprehensive monograph documents the work of Roni Horn, the natural successor to 1960s Minimalists Donald Judd, Sol LeWitt et al, but with a markedly 1980s to 1990s conceptual twist. Horn "disguises" her work as Minimalism, but infuses it with personal poetic references and unexpected emotion. Initially working only in sculpture, in industrial materials in machine-made forms, in recent years the artist has also turned to producing photographs, often of her "adopted" country Iceland, which she has visited regularly for the past 25 years. These photographs capture the subtle changes in lighting and mood in dozens of images of the same subject. Groupings of sculptures and photographs are often drawn together in large installations which, in the barely perceptible changes from one work to the next, demand the viewer's full attention.

Author Biography

Louise Neri was the American editor of the international art magazine Parkett from 1990 to 1999. In 1996 she was co-curator of the Whitney Biennial, New York; a curator of the 25th Biennale of Sao Paulo, Brazil (2001), under the direction of Ivo Mesquita; and a consultant curator for the 12th Biennial of Sydney (2000). Lynne Cooke has been Curator at the Dia Art Foundation since 1991. She co-curated the 1991 Carnegie International and was Artistic Director of the 1996 Sydney Biennale. She is a lecturer at Yale University and is on the faculty for Curatorial Studies at Bard College, Annandale-on-Hudson, New York. Thierry de Duve is an art historian and theorist based in Brussels. Author of several books on art and art theory, including Kant After Duchamp (1996), de Duve was also responsible for the survey exhibition 'Voici', which opened in November 2000 at the Palais des Beaux-Arts, Brussels.