The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Library of Congress N032883 Anonymous. By Robert Dossie. In this second edition the vol.1 titlepage, eighth line, reads: "teria pictoria; or, the nature,"; the second line of the imprint reads: "printed for J. Nourse, bookseller in ordinary to his". The titlepage to vol.2 reads: ".. Teaching, I. The preparation of inks, .. VI. The manner of preparing and moulding papier mache, ..". London: printed for J. Nourse, 1764. 2v.; 8°