Quentin and Lottie Bredin, like many modern couples, can't afford to divorce. Having lost their jobs in the recession, they can't afford to go on living in London; instead, they must downsize and move their three children to a house in a remote part of Devon. Arrogant and adulterous, Quentin can't understand why Lottie is so angry; devastated and humiliated, Lottie feels herself to have been intolerably wounded.
Mud, mice and quarrels are one thing - but why is their rent so low? What is the mystery surrounding their unappealing new home? The beauty of the landscape is ravishing, yet it conceals a dark side involving poverty, revenge, abuse and violence which will rise up to threaten them.
Sally Verity, happily married but unhappily childless knows a different side to country life, as both a Health Visitor and a sheep farmer's wife; and when Lottie's innocent teenage son Xan gets a zero-hours contract at a local pie factory, he sees yet another. At the end of their year, the lives of all will be changed for ever.
A suspenseful black comedy, this is a rich, compassionate and enthralling novel in its depiction of the English countryside, and the potentially lethal interplay between money and marriage.
Although it stands alone, it continues Amanda Craig's sequence of novels featuring inter-connected characters which illuminate aspects of contemporary life. It is the work of a writer at the height of her powers.
Author Biography
Amanda Craig is a British novelist, short-story writer and critic. Born in South Africa in 1959, she grew up in Italy, where her parents worked for the UN, and was educated at Bedales School and Clare College Cambridge.
After a brief time in advertising and PR, she became a journalist for newspapers such as the Sunday Times, Observer, Daily Telegraph and Independent, winning both the Young Journalist of the Year and the Catherine Pakenham Award. She was the children's critic for the Independent on Sunday and The Times. She still reviews children's books for the New Statesman, and literary fiction for the Observer, but is mostly a full-time novelist. Her novel Hearts and Minds was longlisted for the Bailey's Prize for Women's Fiction, and her most recent novel, The Lie of the Land, was chosen as a book of the year by the Guardian, Observer, Telegraph, New Statesman, Evening Standard, Sunday Times and Irish Times.
