"Horror in literature attains a new malignity in the work of Matthew Gregory Lewis (1773-1818), whose novel The Monk (1796) achieved marvelous popularity and earned him the nickname 'Monk' Lewis. This young author, educated in Germany and saturated with a body of wild Teuton lore unknown to Mrs. Radcliffe, turned to terror in forms more violent than his gentle predecessor had ever dared to think of; and produced as a result a masterpiece of active nightmare whose general Gothic cast is spiced with added stores of ghoulishness. The story is one of a Spanish monk, Ambrosio, who from a state of over-proud virtue is tempted to the very nadir of evil by a fiend in the guise of the maiden Matilda. . . . The novel contains some appalling descriptions such as the incantation in the vaults beneath the convent cemetery, the burning of the convent, and the final end of the wretched abbot. In the sub-plot where the Marquis de las Cisternas meets the specter of his erring ancestress, The Bleeding Nun, there are many enormously potent strokes; notably the visit of the animated corpse to the Marquis's bedside, and the cabalistic ritual whereby the Wandering Jew helps him to fathom and banish his dead tormentor. . . ." -- H. P. Lovecraft, "Supernatural Horror In Literature"

Author Biography

Matthew Gregory Lewis (1775 - 1818) was an English novelist and dramatist, often referred to as "Monk" Lewis, because of the success of his 1796 Gothic novel, The Monk. As a writer, Lewis is typically classified as writing in the Gothic horror genre, along with the authors Charles Robert Maturin and Mary Shelley. Lewis was most assuredly influenced by Ann Radcliffe's The Mysteries of Udolpho and William Godwin's Caleb Williams. In fact, Lewis actually wrote a letter to his mother a few months before he began writing The Monk in which he stated that he saw resemblance between the villain Montoni from The Mysteries of Udolpho and himself. He took Radcliffe's obsession with the supernatural and Godwin's narrative drive and interest in crime and punishment, Lewis differed with his literary approach. Whereas Radcliffe would allude to the imagined horrors under the genre of terror-Gothic, Lewis defined himself by disclosing the details of the gruesome scenes, earning him the title of a Gothic horror novelist. By giving the reader actual details rather than the terrified feelings rampant in Radcliffe, Lewis provides a more novelistic experience.