Entertainment Books:

The Renaissance Reform of Medieval Music Theory

Guido of Arezzo between Myth and History

Format

Hardback

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The Renaissance Reform of Medieval Music Theory by Stefano Mengozzi
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Description

Modern scholars have often portrayed the method of hexachordal solmization - the sight-singing method introduced by the 11th-century monk Guido of Arezzo - as the diatonic foundation of early music. Stefano Mengozzi challenges this view by examining a representative sample of the primary sources of solmization theory from Guido of Arezzo to Gioseffo Zarlino. These texts show that six-syllable solmization was only an option for sight-singing that never imposed its operational 'sixth-ness' onto the diatonic system, already grounded on the seven pitch letters. It was primarily through the agency of several 'classicizing' theorists of the humanist era that the six syllables came to be mistakenly conceived as a fundamental diatonic structure - a 'hexachord' built from the 'tetrachord' of the Ancient Greeks. The book will be of particular interest to readers seeking to deepen their knowledge of medieval and Renaissance musical thought with an eye to major intellectual trends of the time.

Author Biography

Stefano Mengozzi is Associate Professor at the School of Music, Theatre and Dance, University of Michigan.
Release date Australia
February 11th, 2010
Country of Publication
United Kingdom
Imprint
Cambridge University Press
Pages
304
Dimensions
174x247x17
ISBN-13
9780521884150
Product ID
3844270

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