The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Huntington Library N047455 In this issue in the imprint there is a full-stop after "London"; p. 1 is not numbered; p. 1, line 15, has .." twelve, get ..," line 18 reads "puiet" for "quiet"; the last line on p. 1 ends "Barnardo"; the last line on p.7 ends "sod"; the "W"'s on p.49 are printed "VV"; quotation marks before the catchwords on pp.3,7 and 33 are reversed; line 40, p.37 reads: "puer as Snosh"; p. 39 misnumbered 93. A variant has correctly printed "W"'s on p. 49. London: printed for Rich. Wellington, at the Dolphin and Crown in Pauls Church-Yard, and E. Rumball in Covent-Garden, 1703. [4],82p.; 4 Degrees