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What is Film Theory?

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What is Film Theory?



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What is Film Theory? by Richard Rushton
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"...authoritative, always engaged, and grounded in the detailed study of well chosen films. This is an exceptionally useful introduction, and good to read." Professor James Donald, The University of New South Wales, Australia This engaging and accessible book explores major debates in contemporary film theory, providing a detailed introduction to the central arguments advanced by film theorists since the 1960s. What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills. What is Film Theory? is indispensable reading for all students of Film and Media Studies, as well as for general readers interested in the debates which have defined film theory.

Table of Contents

Introduction: What is film theory? Structuralism and semiotics: The foundations of contemporary film theory Apparatus theory: Jean-Louis Baudry and Christian Metz Screen theory: Colin MacCabe and Stephen Heath Feminism and film: Visual pleasure and identificatory practices Cinemas of the other: Postcolonialism, race and queer theory Philosophers and film: Gilles Deleuze and Stanley Cavell Film as art: Historical poetics and neoformalism The cognitive turn: Narrative comprehension and character identification Recent developments: Phenomenology, attractions and audiences

Author Biography

Richard Rushton and Gary Bettinson are both Lecturers in the Department of Media, Film and Cultural Studies, Lancaster University, UK.
Release date Australia
February 1st, 2010
Country of Publication
United Kingdom
Open University Press
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