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Associative, sensuous, and unstable, Caviar explores the line between decadence and depravity. In Fletcher’s third pamphlet, investigations of power and violence are no longer limited to the domestic and romantic. She interrogates all dark spheres of influence: ‘A word. A woman hit. A nuclear bomb.’ Language is ‘consumed and mated’, a ‘divine bistro’ that shows her mastery over form.
With winking intelligence and playful sleaze, this pamphlet is a circus of swans, slapped faces, and the snottiest, most expensive delicacy in the world.Author Biography
Sarah Fletcher is an American-British poet, currently writing a PhD on pain, cognition and writing at Aberystwyth. Her poetry has appeared in Poetry Review, Poetry London, The Ria/to and The White Review. She was named a 2012 Foyle Young Poet of the Year, has received the 2012 and 2013 Christopher Tower Poetry Prizes, and has been shortlisted for the Stephen Spender Prize and Bridport Prize. Her previous pamphlet Typhoid August was published with Smith!Doorstop.
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