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In Shakespeare’s The Winter’s Tale, 16 years pass between the end of Act III and the beginning of Act IV. Madonna of the Cat imagines those lost years, examining themes of friendship, motherhood, and forgiveness, as well as empathy for a certain bear . . . the principal of the Bard’s most famous stage direction, “Exit, pursued by a bear.”
Author Biography
Sue Mach’s plays have been produced at Theatre for the New City in New York, the Bloomsburg Theatre Ensemble, Portland Repertory Theatre, Artists Repertory Theatre, Third Rail Repertory Theatre, Icaras Theatre Ensemble, Portland World Theatre, CoHo Productions, and Clackamas Community College. She was awarded a fellowship from Oregon Literary Arts, as well as the Oregon Book Award for her play, The Lost Boy, which was also part of Portland Center Stage’s JAW/West development series. Additionally, Sue has received grants from the Regional Arts and Culture Commission, the Oregon Arts Commission, and the Oregon Council for the Humanities.
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