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Musical aesthetics, musicology, philosophy of music. Classical music from the perspective of the performer and from the philosophical point of view. The philosophical aspect concerns compositions, genres, interpretations, pieces, performers, with the contribution of philosophical disciplines (phenomenology) and psychoanalytic approaches (psychology and psychoanalysis of music).
The Author is a musician, philosopher, psychologist, and psychoanalyst. The view on music is both theoretical and from the performer’s perspective.
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