A Programme of Absolute Disorder

The Western museum is a battleground-a terrain of ideological, political and economic contestation. Calls for its decolonisation have washed like great breakers over the institution; almost everyone today wants to “rethink the museum”. But how many have the audacity to question the very presuppositions of the universal museum itself?

In A Programme of Absolute Disorder, Francoise Verges puts the museum in its place. With a specific focus on the history of the Louvre, she centres the context in which the universal museum emerged: as a product of the Enlightenment and colonialism, of a Europe which presents itself as the guardian of the heritage of all mankind.

Discussing the impasses in the representation of slavery, and examining unsuccessful attempts to subvert the museum institution, Verges outlines a radical horizon: to truly decolonise the museum is to implement a ‘programme of absolute disorder’, inventing other ways of apprehending the human and non-human world that nourish collective creativity and bring justice and dignity to populations who have been dispossessed of it.

Author Biography

Françoise Vergès is a political scientist, activist, historian, film producer and public educator. She is the author of A Decolonial Feminism, A Feminist History of Violence and the forthcoming A Programme of Absolute Disorder. She is also a senior research fellow at the Sarah Parker Remond Centre for the Study of Racism and Racialisation, UCL.

Melissa Thackway is an independent researcher and translator. She lectures in African Cinema at Sciences-Po and INALCO in Paris. Her recent translations include A Feminist Theory of Violence by Françoise Vergès, Contemporary African Cinema by Olivier Barlet, Tropical Dream Palaces: Cinema-Going in Colonial West Africa by Odile Goerg and African Diasporic Cinema: Aesthetics of Reconstruction by Daniela Ricci.