After the Quake

The economy was booming. People had more money than they knew what to do with. And then the earthquake struck. Komura’s wife follows the TV reports from morning to night: images of flames, smoke, buildings turned to rubble, fires everywhere. Pure hell. For the characters in Murakami’s latest short-story collection, the Kobe earthquake is an echo from a past they buried long ago. Satsuki has spent 30 years hating one man who destroyed her chances of having children. Did her desire for revenge cause the earthquake? Junpei’s estranged parents live in Kobe. Should he contact them? Four-year-old Sala has nightmares that the Earthquake Man is trying to stuff her and everyone else inside a little box. Unappreciated and unpromoted, Katagiri returns home to find a giant frog in his apartment on a mission to save Tokyo from a massive burrowing worm. “When he gets angry, he causes earthquakes,” says Frog. “And right now he is very, very angry.”

Author Biography

In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.