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CHEAP PROTECTION: COPYRIGHT HANDBOOK FOR MUSIC is a MUST-HAVE practical and reference book for any musician, songwriter, beat maker or music business student or educator to protect the rights, including copyright, in and to music, beats, lyrics and songs.
Follow the step-by-step guides and tables to be able to register for a free online account with the U.S. Copyright Office, and to register your films for copyright. Includes major bonus material, including sample filled-in forms to copy, the 5 exclusive automatic rights of copyright, 9 ways to resolve infringement if someone copies and sells your film, 36 producer associations in 30 countries around the world, 200 contacts and resources for filmmakers, and much more!
The author is a veteran Hollywood film studio and television executive, international entertainment attorney and entertainment law Professor with decades of experience in the film industry worldwide, including decades of Intellectual Property experience in practice and in teaching at film, business and law schools in the U.S. and Europe.
This Copyright Handbook for Music provides the following valuable tables to assist musicians, songwriters, beat makers, music school students and music business teachers to copyright their music, beats, lyrics songs and other works without the necessity of hiring an expensive lawyer or firm:
Copyright Notice, Published Work
Copyright Notice, Unpublished Work
Infringement, Actual Damages
Infringement, Statutory Damages
Comparison Actual vs. Statutory Damages
Duration of Copyright and Public Domain works
Step-by-Step eCO Copyright Registration – Film
Instructions to Complete Copyright Form TX for Lyrics
Instructions to Complete Copyright Form SR for Sound Recordings
Author Biography
M. M. Le Blanc, JD, MBA, is a 7-time International Award-winning Author of 20 books, including entertainment industry copyright handbooks on music, films, screenplays, television and web projects, teleplays and literary works, as well as other textbooks and reference books on business, finance and the entertainment industry. The author is a veteran Hollywood film/television/music studio and network executive, international entertainment attorney and entertainment law Professor with decades of experience in the film, television and music industries.
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