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Christopher is an album about starting over, but not necessarily moving forward. It’s a breakup album, but as one listen will tell you, not necessarily a sad one. It’s McPhun’s fourth record for Lil’ Chief and Memphis Industries, third for Sub Pop and first mixed by an A-list engineer: Chris Coady of Beach House, Grizzly Bear, Gang Gang Dance and a zillion more.
McPhun spent two weeks at Coady’s studio in New York. Together they polished Christopher to an opalescent sheen, yielding the kind of expensive-sounding, future-leaning ear candy typically the providence of Top 40 radio.
McPhun makes his own brand of pop—accessible and unconventional, ethereal and concise, modern and timeless. In that regard, Christopher is miles beyond previous Ruby Suns records—a high-fi, meta-disco, head phonic rollerskating jam for lovers written and recorded over the course of several years, several world tours and several separate bands.
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