Cymbeline

“I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation.” (Patrick Stewart)The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.Each volume features-

• Authoritative, reliable texts
• High quality introductions and notes
• New, more readable trade trim size
• An essay on the theatrical world of Shakespeare and essays on Shakespeare’s life and the selection of texts

Author Biography

William Shakespeare(1564-1616)was apoet,playwright, and actor who is widely regarded as one of the mostinfluential writers in the history of the English language. Often referred to as the Bard of Avon, Shakespeare’s vast body of work includescomedic, tragic, and historical plays;poems; and 154 sonnets.His dramatic works have been translated into every major language and are performed more often than those of any other playwright.

Peter Holland was the director of the Shakespeare Institute, Stratford-upon-Avon, and professor of Shakespeare studies at the University of Birmingham. He is now the McMeel Family Professor of Shakespeare Studies at Notre Dame University.

Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. He has edited Ben Johnson’s masques, Christopher Marlowe’s poems and translations, and many other classics. His books includeThe Authentic Shakespeare(2002),Impersonations- The Performance of Gender in Shakespeare’s England(1996), andThe Illusion of Power(1975).

A. R. Braunmuller is a professor of English and comparative literature at the University of California at Los Angeles, where he teaches courses on English and European drama from 1500 to the present. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also the general editor ofThe New Cambridge Shakespeare.