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This collection of 13 essays analyzes connections between film and two highly influential 20th-century movements. The essays, which comment on specific films and deal with theoretical and topical questions, are framed by a documentary section that includes a photographic reproduction of the manuscript scenario for Robert Desno’s and Man Ray’s “L’Etoile de Mer”, and an introduction by the editor that provides a cogent working model for the difference between Dada and Surrealist perspectives.
Author Biography
Rudolf Kuenzli is Professor of English and Comparative Literature and Director of the International Dada Archive at the University of Iowa.
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