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In 2024, the singer and songwriter Oum is celebrating her fifteen-year career, with a live album, recorded in Marrakech, which plunges back into the magic of her three flagship records, here revisited in a different light. This seventh album, named Dakchi, which means “those things”, is the opportunity for this daring off-roader to allow herself a suspended moment for a temporary assessment, a return to her roots.
Dakchi is the first best-of live album, in which Oum brings together around ten titles from her repertoire woven throughout three albums with identities as singular as they are filled with a common sap: Soul of Morocco (2013), Zarabi (2015) and Daba (2019). It is the expression of typically Moroccan hybridizations – African, Berber and Andalusian – which irrigate the crossbreeding of Oum.
It is also joyful and natural fireworks display of polyrhythms which galvanize her music: the Marrakech signature, playful, sunny, festive. Oum slips three unpublished pieces, including the sublime Arabic cover of the legendary bolero “Lagrimas Negras”,“Toda la Gente”, an introduction to “Mansit”;, signed by cuban musician Damian Nueva or the delicate “Intidhar”, composed by Yacir Rami.
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