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“Expressive Forms in Brahms’s Instrumental Music” integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms’s approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart.
Author Biography
Peter H. Smith is Associate Professor of Music Theory at the University of Notre Dame.
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