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From neorealism’s resolve to Berlusconian revisionist melodramas, this book examines cinema’s role in constructing memories of Fascist Italy. Italian cinema has both reflected and shaped popular perceptions of Fascism, reinforcing or challenging stereotypes, remembering selectively and silently forgetting the most shameful pages of Italy’s history.
Author Biography
Giacomo Lichtner is Senior Lecturer in History and Film at Victoria University of Wellington, New Zealand. He is a cultural historian and his research focuses specifically on the relationship between history and film, cinema as both a mirror and creator of social trends and the political uses of cinema to create national and political identities. In addition to a number of articles and essays, he is author of Film and the Shoah in France and Italy (Vallentine Mitchell, 2008).
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