Jonah Yano & The Heavy Loop

Jonah Yano is an artist’s artist. A producer and songwriter who has collaborated on projects by peers like Fousheé, Mustafa and Charlotte Day Wilson, he’s also co-written alongside Helena Deland, Ouri, Clairo and Monsune on his own releases. Yano is always shifting the unstable ground his songs rest on, revising it, making it anew. Often his compositions are warm, soulful, and hazily impressionistic, but he prefers to resist easy genre categorization, flitting, instead, between jazz and folk traditions, R&B and hip-hop, rock and ambient and electronic. On portrait of a dog — the 2023 album he made with frequent collaborators BADBADNOTGOOD, praised in Pitchfork for its “cryptic, diaristic intimacy” — the Japanese-Canadian musician weaved his lilting, wistful voice into a harvest-hued mosaic of heartbreak and family memory, for which he recorded hours of conversations and digitized thousands of old photographs to wrestle with his grandfather’s en­croaching dementia. The album featured guest contributions from Slauson Malone and Sea Oleena, with string arrangements by Eliza Niemi, Leland Whitty, and Yano. On Jonah Yano & the Heavy Loop, his forthcoming record out Oct. 4, Yano has once again upended his musical direction, crafting an experimental, chimerical album with the live ensemble-turned-studio band (Christopher Edmonson, Benjamin Maclean, Leighton Harrell, Felix Fox-Pappas, and Raiden Louie) that he’s been painstakingly scouting for the last three years. Yano has conceived of this as a kind of double-record; the anchoring song, The Heavy Loop, is a 30-minute feat of improvisation that sees the band leaning into noise music and free sound, and constitutes the “raw materials” of the album’s freew­heeling soundscapes. “Concentrate,” the lead single, smoulders over subdued keys, bright guitar arpeggios, jazzy drums, and clarinet work from Clairo, whom Yano and his band opened for during her 2022 EU/UK tour. “If souvenir is about what I feel, and portrait of a dog is about what I remember or want to remember, then this album is about what I think,” says Yano. “And maybe that’s the difference.”