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Considers an exhibition at Tate Modern, June to October, of the great Norwegian artist Edvard Munch (1863-1944), exploring his paintings and graphic work, with their relation to examples of his photography. Munch is distinguished by a highly original sensibility, characterised in nerve-edged works that probe the undercurrents of intimacy, sickness, isolation, loss and death; identifying themes that preoccupied the central European movement of Expressionism through the Great War into the 1930s. Munch can now be seen as a primary source of a profound psychodrama, played out through the 20th century and beyond.
Author Biography
Marina Vaizey is an art critic, lecturer and traveller; her books include The Artist as Photographer, 100 Masterpieces of Art; Great Women Collectors. She was the art critic for the Financial Times for four years, and The Sunday Times for eighteen. She has curated several exhibitions and written many catalogues. She has been a Trustee for several national museums.
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