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This anthology examines the various facets of video game music. Contributors from the fields of science and practice document its historical development, discuss the music’s composition techniques, interactivity and function as well as attending to its performative aspects.
Author Biography
Peter Moormann is a Research Associate in the Department of Musicology at the Freie Universitat Berlin working within the Collaborative Research Centre 626 on Aesthetic Experience and the Dissolution of Artistic Limits. His writings focus on film, music, and television.
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