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Widely hailed as the Godfather of Ska, Laurel Aitken dominated Jamaica’s recording industry throughout its infancy, enjoying a series of hugely popular mento and Jamaican R&B hits during the latter half of the 1950s. Early the following decade he relocated to London, where, over the years that immediately followed, he recorded for every Afro-Caribbean record company of note.
While his ska and rock steady recordings ensured Laurel remained a firm favourite among Jamaican ex-patriots, the reggae explosion of 1969 exposed his work to a wider audience, with productions for Doctor Bird, Pama and Trojan Records establishing him as a musical hero for many of Britain’s young, white working-classes, notably those that had adopted a fashion style dubbed by the national press as ‘skinhead’.
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