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Sound Theory/Sound Practice provides a major re-examination of the place of sound in cinema. Individual essays cover such diverse topics as the conversion to sound, cartoon sound, documentary sound, and voices of women in third-world cinema. This collection combines unpublished articles by established scholars who first attracted academic attention to cinema sound – Rick Altman, John Belton, Michel Chion, and Alan Williams – with work written by a new generation of sound-sensitive scholars.
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