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Belinda Smaill proposes an original approach to documentary studies, examining how emotions such as pleasure, hope, pain, empathy, nostalgia or disgust are integral both to the representation of selfhood in documentary, and to the way documentaries circulate in the public sphere.
Author Biography
BELINDA SMAILL is a Lecturer in Film and Television Studies in the School of English, Communications and Performance Studies at Monash University in Melbourne, Australia.
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