This book makes a case for the synergetic union between reality TV and the music industry. It delves into technological change in popular music, and the role of music reality TV and social media in the pop production process. It challenges the current scholarship which does not adequately distinguish the economic significance of these developments.
Author Biography
Trajce Cvetkovski holds a PhD (Political Science) degree from the University of Queensland and teaches law and governance at the School of Political Science and International Studies. He also practises as a lawyer. His research interests include the political economy of popular culture and corporate media citizenship and regulation. He is currently interested in technological change and the future of popular music. His most recent book is Copyright and Popular Media: Liberal Villains and Technological Change (2013).
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