The story of a life and everything that came after…
Based on the bestselling book by Alice Sebold, THE LOVELY BONES tells the story of 14-year-old girl, Susie Salmon, from suburban Pennsylvania who is murdered by her neighbour. She tells her story from Heaven, showing the lives of the people around her and how they all change all while attempting to find justice, understanding and closure.
Director Peter Jackson takes a personal, risky leap in his direction of the film version of Alice Sebold's bestselling novel The Lovely Bones. Yet the leap pays off, in emotional depth and riveting visuals that transport the viewer to other worlds--even ones the viewer may not want to visit. The Lovely Bones is lofted by its star-making performance by the young Saoirse Ronan (Atonement), who plays Susie Salmon, the 14-year-old girl who is murdered early in the film, and who narrates the action from her "in-between place" after dying but before going to heaven. Ronan makes Susie as earthy and awkward as any young teen, yet her presence, and her gorgeous pale eyes, remind viewers that she's otherworldly too. The Lovely Bones takes some big departures from the book, as many critics have pointed out, but it works well on its own merits. The drama involves how (even whether) Susie's family will recover after her ghastly murder, and what happens to her killer and the futile-seeming search for justice and closure. The entire cast is stellar, including Mark Wahlberg and Rachel Weisz as Susie's nearly destroyed parents; the composed young New Zealand actress Rose McIver, who plays Susie's younger sister, whom Susie watches grow up to be the young woman that Susie will never get to be; and Susan Sarandon, the boozy, wisecracking grandmother who may or may not be able to help keep the family from splintering into a million pieces. The other true standout is Stanley Tucci, almost unrecognizable as the quiet, creepy neighbor who kills Susie, obsessing over every detail and perhaps having left a whole trail of gruesome murders in his shambling wake. Jackson's deft direction keeps the mourning humans moving along believably, numbly, and gives breathtaking life to the afterlife, in scenes of fantasy and dread that recall his Heavenly Creatures. The film is not recommended for younger teenagers because of its intense subject matter, though handled delicately. --A.T. Hurley