Excerpt from Critical Essays and Literary Fragments: With an Introduction The miscellaneous pieces comprised in this volume are of interest and value, as illustrating the history of English literature and of an important side of English social life, namely, the character and status of the clergy in the seventeenth and early eighteenth centuries. They have been arranged chronologically under the subjects with which they are respectively concerned. The first three the excerpt from Wilson's Art of Rketorz'c, Sir Philip Sidney's Letter to his brother Robert, and the dissertation from Meres's Palladz's Tamia - are, if minor, certainly char acteristic examples of pre-elizabethan and Elizabethan literary criticism. The next three - the Dedz'catory Epistle to tke Rival Ladies, Howard's Preface to Four New Plays, and the Essay of Dramatic Poesy - not only introduce us to one of the most interesting critical controversies of the seventeenth century, but present us, in the last work, with an epoch-marking masterpiece, both in English criticism and in English prose composition. Bishop Copleston's brochure brings us to the early days of the Edz'nburg/z Review, and to the dawn of the criticism with which we are, unhappily, only too familiar in our own time. From criticism we pass, in the extract from Ellwood's life of himself, to biography and social history, to the most vivid account we have of Milton as a personality and in private life. Next comes a series of pamphlets illustrating social. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.