Excerpt from Dalziels' Illustrated Goldsmith: Comprising the Vicar of Wakefield, the Traveller, the Deserted Village, the Haunch of Venison, the Captivity, an Oratorio, Retaliation, Miscellaneous Poems, the Good-Natured Man, She Stoops to Conquer, and a Sketch of the Life of Oliver Goldsmith I was ever of opinion, that the honest man who married, and brought up a large family, did more service than he who continued single, and only talked of papulation. From this motive, I had scarce taken orders a year, before I began to think seriously of matrimony, and chose my wife, as she did her wedding-gown, not for a fine glossy surface, but such qualities as would wear well. To do her justice, she was a good-natured, notable woman; and as for breeding, there were few country ladies who could show more. She could read any English book without much spelling; but for pick ling, preserving, and cookery, none could excel her. She prided herself also upon being an excellent contriver in housekeeping; though I could never find that we grew richer with all her contrivances. However, we loved each other tenderly, and our fond ness increased as we grew old. There was, in fact, nothing that could make us angry with the world or each other. We had an elegant house, situated in a fine country, and a good neighbourhood. The year was spent in a moral or rural amusement; in visiting our rich neighbours, and relieving such as were poor. We had no revolutions to fear, nor fatigues to undergo; all our adventures were by the fire side; and all our migrations from the blue bed to the brown. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.