This book is the first major study of Canadian women filmmakers since the groundbreaking Gendering the Nation (1999). The Gendered Screen updates the subject with discussions of important filmmakers such as Deepa Mehta, Anne Wheeler, Mina Shum, Lynne Stopkewich, Lea Pool, and Patricia Rozema, whose careers have produced major bodies of work. It also introduces critical studies of newer filmmakers such as Andrea Dorfman and Sylvia Hamilton and new media video artists. Feminist scholars are re-examining the ways in which authorship, nationality, and gender interconnect. Contributors to this volume emphasize a diverse feminist study of film that is open, inclusive, and self-critical. Issues of hybridity and transnationality as well as race and sexual orientation challenge older forms of discourse on national cinema. Essays address the transnational filmmaker, the queer filmmaker, the feminist filmmaker, the documentarist, and the video artist--just some of the diverse identities of Canadian women filmmakers working in both commercial and art cinema today.
Brenda Austin-Smith is an associate professor in the Department of English, Film and Theatre at the University of Manitoba. She writes about melodrama, Canadian cinema, weeping and cinema memory, Henry James, and adaptations. She is a past president of the Film Studies Association of Canada and sits on the editorial board of the Canadian Journal of Film Studies. George Melnyk teaches in the Department of Communication and Culture at the University of Calgary. He is co-editor (with Tamara Palmer Seiler) of The Wild Rose Anthology of Alberta Prose (University of Calgary Press). He is also known for his two-volume Literary History of Alberta.