Examines the history of worship in the Black Church in America, the enduring effects of white supremacy on its liturgical heritage, and proffers a new liturgical paradigm, using a womanist hermeneutic, for students, liturgists, liturgical musicians and lay people. In A Womanist Theology of Worship, author Lisa Allen, a scholar and teacher of liturgical music begins by explicating the Black Church’s legacy of equating liturgy with justice. She then explores the development of liturgy in the Black Church and how Black congregations adapted liturgies from Euro-descended churches for their own use. Finally, Dr. Allen offers a new paradigm for Black worship that reimagines liturgy through a womanist lens and works to dismantle white supremacy in the Black Church. This paradigm centers African and African-descended cosmological and theological worldviews that employ a liberative hermeneutic of communal empowerment and agency.